Usually considered as an offspring of the video gaming industry, fictional VR is still the poor stepchild of cinema, and struggles to earn consideration. If Ed Wood was an unfortunate representative of the mediocrity of what special effects can be, VR might well be a renewal of the matter. We all share the crazy desire of experimenting.
It is also this desire that we find among the VR creators today: being able to, through these technologies which allow us to create illusions, teleport the spectator elsewhere, to immerse him in other universes where the laws of physics don’t have to exist.
#Movie ninja io a star is born full#
His films are full of special effects, stage riggings, and as clumsy as they might be, they convey a strong will to delude, in an artisanal way, like fairground entertainers used to. Nevertheless, there is an almost childish joy and enthusiasm in Ed Wood’s desire to deceive the senses. As for the topics covered, if Ed Wood has scoured the stories of vampires and extraterrestrials, we can observe that VR has not been left out so far with fear-driven topics, often on hospitals, prisons, ghosts and such. The result inevitably suffers: an editing resulting in an absurd narration, a film crew often “multitasking,” and despite everything, a faith and a frenzied optimism. While struggling to find funding for his films, Ed Wood puts together low-budget productions, developing a strong sense of ingenuity. Marie Jourdren: About Ed Wood - so many analogies can be found between Ed Wood and virtual reality that he could easily be an icon for the world of VR. Throughout the experience, hidden mechanisms are openly revealed, front and back stage overlap, story and staging merge, creating a new dimension halfway between the real and the virtual: the illusion of the false. The narrative is full of references to the early days of cinema, while the grotesque special effects deliberately contrast with the cutting-edge cross-reality technologies involved. It prompts audiences to interact with live actors in both real and virtual environments. The Horrifically Real Virtuality is an immersive 50-minute theatrical and collective experience combining virtual reality, acting and cinema.
Above all, they must never forget the first rule of B-movie horror: NEVER ANSWER THE PHONE. The audience is going to have to do some serious multi-tasking: operating the camera and special effects, taking over as sound engineer, open inter-dimensional doors by the use of the energy of lightning, chasing away flying saucers and even standing in as extras. The low-budget production is way off-schedule, the set is in chaos, the production team is overrun and the lead actor stays in character 24 hours a day. get sucked in!īut the shoot is obviously a disaster.
#Movie ninja io a star is born movie#
Audience members are invited both to visit the set and to watch the screening of Ed Wood’s latest film - a movie so scary that they might just. It stars Lugosi as a character who can access a parallel dimension called Real Virtuality, where he encounters humanoids from another time - the audience.
(allegedly the worst movie director of all time) and ageing B-movie legend Bela Lugosi (the first-ever on-screen Dracula) as they reunite to shoot their final masterpiece. The Horrifically Real Virtuality summons the ghosts of Ed Wood Jr.
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